Of course, too often we don't follow up on the plans we
make at age ten, even when we know they represent more than the proverbial
passing fancy. But when one proves
very capable in academics, a chorus develops comprised of teachers, guidance counselors, etc. whose voices together
raise in a chant of
"become a doctor, lawyer, rocket scientist -- you know something worthwhile."
In any case, it seemed nothing in the arts could possibly represent a
respectable occupation. And someone graduating a year early with a
class rank of #1 is the last person who should want to throw her life away on
art. After all, it's the duty of such people to make a difference
in the world.

Well, at least that make a difference thing was
something that we all agreed on. And, finally, several years after
finishing high school, though never finishing college
(yet -- I returned eventually and have now completed approximately 3/4 of a Literature
degree via independent study) I finally decided that the arts were
indeed my way to make a difference after all. As a result I
enrolled in an acting class, and then another...and another --and the rest, as
they say, is history.
Below (clockwise, from
left):
Horatio -- John Armstrong, Gertrude -- Mil,
Claudius -- Matthew Geist,
Ophelia -- Elaine Unger Gravedigger --
Michael Traupman, Hamlet -- Chris Caltagirone
Because the arts have always been interwoven as something
of one entity to me, however, I never really thought about acting alone as the
sum total of my career ambition. As a result, my favorite experiences are those in which
my various interests (acting/writing/ music) are somehow combined, as they were
in the production of a one-act
play/prequel based on Hamlet (which was produced in conjunction with its selection as a finalist in a playwriting
competition). I met
some terrific people on this project, including one actor I still consider among
the finest I've
ever known. It was a blast!
(On a side note, this piece was later
produced again as part of a farewell directorial performance by my first acting
teacher. This time I played Hamlet.)

As my first thoughts of acting had centered around
film, I was most anxious to give
this medium a try. Thanks to a tip I received in one of my acting classes
about upcoming auditions for a feature being shot in the Reading, PA area,
I showed up for an open call and was astonished to land a speaking role my very
first time out. Entitled The Ballad of Susanna Cox, the film is an
historical tale dealing with the injustice practiced upon an indentured servant
in the early 1800's. A fascinating piece and another wonderful experience.

More stage work followed, including an adaptation of three
Greek Classics
performed
by an all-woman cast at Flushing's "Theatre in the Park." One of
my early acting teachers had recommended strongly that if we were ever given the
opportunity to take part in Greek chorus work, be sure not to pass it up.
Good advice, to be sure, although I must confess I think it firmly established
that learning (not to mention executing) dance routines will never
be my strong point!
In one of my more recent film performances I played a club member in a
short called Now You Hazz Jazz. Written by its director, the story is
based on a rather unique premise, that of a modern-day version of Louis
Armstrong and an authentic
Dixieland
Jazz band. Filmed in a Knights of Columbus lodge bar near the Jersey shore
-- in the midst of its regular operations -- I must say this represents one of
my most unique acting experiences. And, since I must further confess that
despite my intense passion for music, Jazz has never been my thing, it
also represents one of my most trying. Again, however, it was an
opportunity for which I remain thankful and another job at which I met some
great people -- including a rock drummer with whom my husband and I remain in
touch.
What experiences lie ahead in
2008? Hard to
say. But I look forward to them eagerly and hope by the end of the year to
include participation in my own film, Taking the Fall (Bad Kitty Films
screenplay competition quarter-finalist/Key West Indie Fest 2005 Screenplay
Winner) as one of my
credits. Stay tuned!